BSB tidbits in Rolling Stone Magazine
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Date: Dec 03, 2099 Here are some excerpts from three different places in the Dec. 16-23 issue of Rolling Stone. 1) This one's a small blurb about 'N Sync, BSB, and Britney Spears. In an article entitled "1999: Party Over, Whoops, Out of Time" by Rob Sheffield (p. 66)
Artist of the Year: Sweden. The fine people of this quaint Scandinavian nation worked overtime to supply America with dumb, sexy disco hooks, especially from the Swedish Invasion's big three: the Sync, the 'Street and Miss Britney, all clean-cut American kids who took advantage of Stockholm-pop engineering. Mama tried to tell us to stay away from the Total Request Live phone line - she said all those Backstreet Boys would drink up our blood like wine. But the Boys gave the girls something to scream about, spreading Backstreetmania, 'N Syncondria, LFObia and other social diseases. Britney pouted for the camera with eyes that seemed to say, "Matt Pinfield just knows what you need, but I know what you want." Although 'N Sync were neither cute nor talented, at least they inspired the tantalizing rumor that Justin was secretly dating Britney. Big question of the year: Why aren't there any rumors that Justin actually is Britney? Wouldn't that make an even funkier rumor? Spread it around your school today! 2) "The Year in Singles" by Rob Sheffield (p. 223) Backstreet Boys came in at #7 with "I Want It That Way" and Sheffield writes "If this song doesn't find a pleasure nook anywhere in your body, you probably kiss with your mouth closed. The lyrics make no sense at all, but if the girls don't mind, why should the Boys?" The rest of the top 10 were:
1. TLC "No Scrubs" 3) The third excerpt is from an article entitled "The Year in Recordings" with numerous reviews of this year's albums. The review of the Backstreet Boys' Milliennium was written by David Fricke. (This one is kind of negative.) (p.233)
The hollow ring you hear deep inside Backstreet Boys' sugar-gangsta coo is the sound of a raw deal. The whole package- the jiggy-ready grooming, the electric-slide choreography, the low-phat funk-'n'-cuddle material - is just precision foreplay, a focus-group tease. Teen pop, at its generous best, is what-if music, a holiday from responsibility in sex and fealty; the sweetest communion happens in the imagination. The Boys, and their puppeteers, know how to make all the right promises and entreaties on Millennium ("It's Gotta Be You," "I Need You Tonight"). But there is a frosty arrogance in plain sight, as well ("The Perfect Fan"); the Boys' love comes in coldly measured rations. So does humble pie. When the guys sing "Show Me the Meaning of Being Lonely," you can't help but thinking how easy that will be - when the solo albums start to drop.
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